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When you find a subject or view that you are particularly pleased with, don’t rest on your laurels – shoot it once, then look for a better angle. The version with the mountains behind (above) is good – but the alternative version (left), shot from the other side, is arguably better still because of its simpler, more abstract, composition. e l e m e n t s o f a n i m a g e _ 33 34 _ c o m p o s i n g t h e i m a g e e l e m e n t s o f a n i m a g e _ 35 texture a sense of touch can be given in a photograph by capturing texture.

60 _ c o m p o s i n g t h e i m a g e c o l o u r _ 61 shooting in black and white with a digital camera, you can switch from full colour to black and white with ease. No need to wait for the film to finish, you can simply change the camera mode on a shot-by-shot basis. Some models may even offer other monochrome modes, such as sepia. 21STRAIGHT SHOOTING Black and white is particularly effective for portraits. This sequence was taken with a digital camera set to its black-and-white shooting mode.

Interesting texture is often found on vertical surfaces – such as the peeling paint on walls or the gnarled wood of an old door. This means that the raking light from the overhead sun can pick out all the textural detail without any problem. Inscriptions carved in stone also show up clearly when the sun is directly overhead. In the studio, it pays to avoid making any artificial lighting too harsh. Otherwise, you will end up with large areas of burnt-out highlight, which are impossible to recover satisfactorily using digital manipulation.

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